Revenge and Vengeance - Revenge More Important than Oedipus Complex Ess

Revenge More Important than Oedipus Complex in village A boys streak of vengeance is not always merely Oedipal. Hamlets revenge, and the situations that thorn it, are not ground on his love for his mother, that on the need to avenge his fathers death. Although Hamlet is the only one who hears the ghost talk, others beget the sight. This proves that he does not subconsciously create the hallucination in nightspot to rid his mother of her forward-looking lover. Once learning that his father was murdered, and that no one witnessed his death, Hamlet feels compelled to punish the killer. Even though the murderer is his mothers new husband, Hamlet acts to avenge his fathers death, not out of jealousy for his mothers partner. Hamlet is precise angry with Gertrude, his mother, for marrying so soon after her first husbands death. His fury is establish solely on his mothers rapid wedding and the person whom she wed, not on Hamlets sexual desires towards his mother. Although Hamlet may love his mother, his actions of revenge are based on his need to avenge Old Hamlets untimely death. The Oedipus Complex is a universal law which suggests that all boys become their mothers lover in dreams. Freud believed that in the phallic stage of development, every boy becomes his mothers lover in his dreams(1).This may cause them to try to rid their mother of her lover out of jealousy. In Hamlets case, his revenge is not based on his sexual desires towards his mother but on his need to punish his fathers killer. Old Hamlets spirit, which was seen by Horatio, Bernardo and Marcellus even in advance gaining access to Hamlet, is not a figment of Hamlets imagination. Hamlet did not subconsciously create the spirit as a means of creating a intellect to ... ...loyal sons revenge. Works Cited and Consulted Adelman, Janet. Suffocating Mothers Fantasies of Maternal Origin in Shakespeares plays, Hamlet to The Tempest. London and saucily York Routledge. 1992. Guerin, Wilfred L., Ear le Labor, Lee Morgan, Jeanne C. Reeseman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York Oxford University Press, 1992. Heilman, Robert B. The habit We Give Shakespeare. Essays on Shakespeare. Ed. Gerald Chapman. Princeton, NJ Princeton University Press, 1965. Pitt, Angela. Women in Shakespeares Tragedies. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Reprint from Shakespeares Women. N.p. n.p., 1981. Shakespeare, William. Hamlet, Prince of Denmark. The riverbank Shakespeare. ED. G. Blakemore Evans. Boston Haughton Mifflin Company, 1974.